Ideally, your subject should appear black and the background very light. You can also use a semi-manual mode such as aperture priority and a negative exposure compensation value to darken the subject. Use manual mode to underexpose the subject. Next, you need to adjust the exposure so that the subject is dark. The sunlight from behind created the lighter background. The shadow of the bridge allowed me to get a black profile. In both of the sample shots, I took the silhouette images by photographing underneath a traffic bridge. If you don’t have lighting gear, you can create backlighting by shooting in an open doorway or window. This is where the light is coming from behind the subject. The easiest way to photograph a silhouette is to use backlighting. You will get the best results if the subject is very dark.įor the most flexibility in the editing process later, change your file type to RAW, for both this step and the next. You can choose any subject, from people and animals to architecture. That’s an essential concept so keep that in mind.Ī double-exposure is best done with one of those images as a silhouette. In a double-exposure on film, one photo looks clearer on the darkest areas of the other image. Step-By-Step Guide to Taking a Double Exposure Photograph a SilhouetteĮven if you’re creating a double exposure in Photoshop, the process starts well before editing.
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